University of Chicago Library, Goodspeed Manuscript Collection Ms. 139, New Testament. Gospels (Gospels of the Fluting Shepherd). 15th or 16th century.

Contents

Four gospels in Armenian. Section numbers in the margins against the text. Pentecostal lection numbers and concordances recorded in the lower margins. Words and passages omitted in the main text have been added in the left or lower margins. Formerly Goodspeed Ms. Arm. 6.

The manuscript is commonly known as Gospels of the Fluting Shepherd because of its marginal miniature of a shepherd making music (fol. 150v).

  1. Pastedown (front) Eusebius of Caesarea (ca. 260-ca. 340), Letter to Carpianus, on the Gospel Canons.
    Additions: Seal (illegible), lower left margin.
  2. fols. 1v-6v Canon tables bound out of order. The sequence now reads: II (fol. 3r); III (fol. 2r); IV (fol. 4v); V (fol. 5r); VI (fol. 6v); IX and X (fol. 1v). Missing tables I, VII, and VIII.
    Note: Blank (fols. 2v, 3v, 4r, 5v, 6r).
  3. fols. 7r-91r Matthew.
    Note: Blank (fols. 91v-92v).
  4. fols. 93r-143r Mark.
    Note: Blank (fols. 143v-144v).
  5. fols. 145r-229r Luke.
    Note: Blank (fols. 229v-230v).
  6. fols. 231r-290v John.
  7. fol. 290v Reading: The Woman taken in Adultery (incomplete).

Decoration

Marginal vignettes of small portraits and arabesques.

Miniatures

  1. Pastedown (front)Eusebius, Bishop of Caesarea, Palestine, Portrait: Eusebius, dressed in liturgical vestments, holds an open scroll, at center under an arch.
  2. fol. 89vEvangelist, Matthew, Portrait: Matthew, seated in left margin, his hand rests on adjacent bird initial.
  3. fol. 141rEvangelist, Mark, Portrait: Mark, seated in right margin, his hand extended to indicate adjacent text.
  4. fol. 150vShepherd, Making music: Shepherd plays a pipe in left margin, a wineskin hanging over his shoulder.
  5. fol. 225rEvangelist, Luke, Portrait (damaged): Luke, seated in right margin, his hand extended to indicate adjacent text and bird initial.

Canon Tables

Citations of concordant gospel sections framed by architectural columns that support headpieces of multi-colored floral, foliate, and geometric designs upon which large birds stand.

Headpieces

Headpieces of multi-colored floral, foliate, and geometric motifs at each gospel opening (fols. 7r, 93r, 145r, and 231r), and with the copy of Eusebius's Letter to Carpianus (pastedown).

Initials

The major initial of each gospel's opening line is formed by an evangelist symbol: Matthew (angel, 110 mm), Mark (lion, 38 mm), Luke (ox, 92 mm), and John (eagle, 120 mm). Minor initials are formed by figures of birds or flowers.

Physical Description

Support

Paper. 228 x 159 mm.

Watermarks

Watermarked blank leaves (16th century) inserted before the gospels of Mark, Luke, and John.

Number of Leaves

291 leaves, to which the front pastedown, a leaf once part of the first quire, has been added.

Foliation

1 + 290. Modern foliation in Arabic numerals in pencil.

Dimensions

Written space 180 x 125 mm (fol. 9r).

Layout

2 columns, 21 lines. Ruling with hard point.

Writing

Written chiefly in bolorgir script in black ink. Each gospel's first line is inscribed in capitals of multi-colored birds, beads, and leaves. Second and third lines are written in erkat’agir script.

Text Divisions

Titles in red.

Condition

Margins trimmed presumably during rebinding, thus marring marginal miniatures and decoration (for example, fol. 225r). Several leaves are missing. Inner margins of many leaves are reinforced with strips of tape or paper inscribed with unidentified text. Occasional creases. Dirt and grease stains.

Binding Description

Bound in blind tooled red morocco over pasteboard. Nail holes are present and the outline of a cross once attached. Remnants of index tabs.

History

Origin

Written in either the 15th and the 16th century, the place of origin is unknown.

Provenance

The manuscript lacks colophons and inscriptions.

Acquisition

Acquired by the University of Chicago from Luzac and Company (London), January 1929.

Bibliography

  1. Seymour de Ricci, Census of Medieval and Renaissance Manuscripts in the United States and Canada (New York: H. W. Wilson Company, 1935), vol. 1, p. 570.
  2. Merrill Mead Parvis, The Story of the Goodspeed Collection ([Chicago:] s.n., 1952), p. 7.
  3. Erroll F. Rhodes, An Annotated List of Armenian New Testament Manuscripts, Annual Report of Theology 1 (1959), p. 133 (1034).
  4. New Testament manuscript traditions. An exhibition based on the Edgar J. Goodspeed Collection of the University of Chicago Library, the Joseph Regenstein Library, January-March, 1973. University of Chicago. Library. Dept. of Special Collections. Exhibition catalogs ([Chicago: s.n., 1973]), 36, no. 12.
  5. Avedis K. Sanjian, A catalogue of medieval Armenian manuscripts in the United States (Berkeley: University of California Press, 1976), pp. 187-188.